Geely Galaxy L7 is the first to experience! The car is full of screens, and the fuel consumption at a power loss is as low as 5L. Can it sell out?

On February 23rd, Geely released a new new energy strategy at the main venue of the Hangzhou Asian Games, and simultaneously launched a new mid-to-high-end new energy series – Geely Galaxy, Galaxy L7 as the first model of Geely Galaxy’s intelligent electric hybrid series made its global debut and opened reservations. We have already experienced this new model first. Based on the e-CMA architecture, Galaxy L7 focuses on 200,000-level home users, taking into account intelligence, space, comfort, economy and good power performance. Bring more affordable all-round models to mainstream home users.

What is "Milky Way"?

"Galaxy Series" is a new mid-to-high-end new energy series launched by Geely brand, using a new brand logo. The subsequent Galaxy series will launch "Galaxy Intelligent Electric Hybrid L Series" and "Galaxy Intelligent Pure Electric E Series", a total of 7 products, covering sedans and SUVs.

Galaxy L7 is the first mass-produced model launched by the Galaxy series. It is positioned in the 200,000-class A-class intelligent electric hybrid SUV and targets mainstream household users. Geely aims to create a smart new energy model that combines power, economy, space, cockpit intelligence and intelligent driving, and is priced within 300,000 yuan to meet the choices of more mainstream household users.

Galaxy L7 will be equipped with three smart electric technology technologies: "Aegis Battery Safety System, Raytheon Electric Hybrid 8848, and New Galaxy NOS" for the first time. The new car was launched globally and started small orders, and deliveries began in the first half of the year.

Galaxy ripple aesthetic design

Galaxy L7 is a new A-class intelligent electric hybrid SUV based on the e-CMA architecture, which adopts the Galaxy Ripple aesthetic design concept. Ripple is a very distinctive brand symbol of Geely. In recent years, a number of classic models with different styles of Ripple features have left a deep impression on consumers. The new digital Ripple of Galaxy L7 shows a strong sense of technological beauty in an orderly manner.

The electrified front face of the new car has a simple and clean design. As a plug-in hybrid model, the new car adopts a fully enclosed grille that is closer to the pure electric model. The new car hybrid system adopts the most compact 3DHT design, and the axial length is 354mm, which is the shortest in the same class. The compact power system can leave enough space for arranging windshields and high-power intake fans. While meeting the intake effect, the intake area is reduced from 99,000 to 69,000 square millimeters, saving 30% of the intake area.

At the same time, the engine cooling system on the Galaxy L7 adopts three-layer water cooling technology, which effectively solves the heat dissipation safety problem caused by the closure of the front cabin. It is the innovation of the power system that reduces the constraints on the design of the new car.

The design of the new car’s daytime running lights is inspired by the traditional "flying eaves bucket arch" shape of Chinese classical architecture. The bucket arch supports the roof above and is connected to the columns below, which plays a dominant role in ancient architecture. This design makes the front face of the new car more stable, tense, and recognizable.

The sharp lines on the side of the Galaxy L7 body create a good light and shadow effect, which is very three-dimensional. The side shape of the Fuhu pose and the short back design ensure that there is a large space for the head in the rear row, while the side lines are smooth, lowering the visual center and presenting the feeling of being ready to go. The roof is also treated with the more popular blackening treatment nowadays, and with the downward pressing roof line, it creates a dynamic posture.

In terms of size, the length, width and height of the Galaxy L7 body are 4700/1905/1685mm respectively, and the wheelbase is 2785mm. Compared with the BYD Song PLUS DM-i and Honda CR-V new energy, the wheelbase is longer, which has certain advantages in the same class of models. And the shorter front and rear overhang design will be more beneficial to the interior space.

The rear ripple taillight adopts a through rear taillight design, and the dynamic effect is like water dripping into the lake and slowly blooming. The lighting effect is indeed dazzling, and the recognition at night is also good. In terms of details, the center of the taillight is the English letters of the Geely brand, which look more textured when lit in the blackened through trim.

In terms of color scheme, the new car offers six body colors: Dawn White, Midnight Black, Dawn Grey, Clear Sky Blue, Twilight Mountain Purple, and Galaxy Colorful White. Among them, Galaxy Colorful White Car Paint is the most distinctive, and the car paint depicts the colorful appearance of the Galaxy. It is the first mass-produced colorful white car paint in the world. It is taken from natural environmentally friendly materials, and the nano-scale process brings a silk-like luster and texture. The quality of the car paint is comparable to that of top luxury cars.

Nano-colorful white is also the first time in the world to capture the application of TiO2 mass-produced car paint. It adopts a nano-scale double-layer paint spraying process, one layer is the whitest white on earth – TiO2 paint layer, and then sprayed a layer of film formed by mixing TiO2 and SiO2 to form a nano-scale grating structure. The multiple reflections of light restore the brilliance of the galaxy.

"Pamper the co-pilot" Luxury enjoyment

The most eye-catching feature in the car is the large screen. The Galaxy L7 is equipped with a 10.25-inch instrument + 13.2-inch central control screen + 16.2-inch co-pilot screen, and a 25.6-inch AR HUD is also added to the high-end model (this real model is not equipped). Four-screen intelligent interaction meets the intelligent experience of the whole car.

The new car adopts the Galaxy free cockpit, and the gear shifting mechanism adopts the pocket block design, which is more convenient to operate. At the same time, it also allows the central control part to have more space to arrange more functions. Dual mobile phone placement slots are arranged under the central control screen, with 50w wireless charging capability.

The door panel does not have the conventional door handle of the car. The hidden door handle shape is not only more beautiful, but also takes into account the storage capacity. The 190mm long storage compartment can be placed horizontally on most mobile phones on the market. The top of the door opening list is located at the front of the armrest, and the window lift is designed into a dial-like shape, which is more textured.

The Jingyao star ring light curtain ambient light extending along the edge of the three large screens to the side door of the car forms an encircling effect, the range adopts 3D texture paving board, the industry first adopts three-dimensional relief two-color injection molding process, the visual effect is more transparent, and at the same time, 60 viewing angles are selected in the car to calculate and simulate the 200 million light points to achieve a sense of immersion and wrapping atmosphere. The new car provides three colors of interior color scheme: black, light brown and sky white.

The new car seat gave people a pleasant feeling. It was officially called the cotton candy comfortable seat, which was soft in texture and had excellent comfort. At the same time, it did not feel like it was collapsing, taking into account a good sense of wrapping and support.

Of course, the most outstanding is the "pet co-pilot". The Galaxy L7 adopts a unique asymmetrical design of the main and co-pilot door panel armrests, and the co-pilot door panel armrests are higher to meet the more comfortable hand-holding posture of the co-pilot when riding. The co-pilot has the largest co-pilot legroom of 630mm in the same class, and the zero-gravity comfortable experience filled with memory sponges. In terms of configuration, the queen co-pilot seat with electric leg rest, heating, ventilation, massage, physiotherapy, memory and other functions.

The 16.2-inch co-pilot screen has a large number of built-in sub-screen application ecosystems, creating an exclusive entertainment space for the co-pilot, whether it is to brush Douyin, watch movies, listen to music, or play games. It is also equipped with an independent Bluetooth channel to support external Bluetooth headsets and other devices.

At the same time, the co-pilot supports one-click restoration of the best viewing position, the seat is reclined to 125 degrees, the user can get a vertical field of view of 9.6 degrees, and the distance between the eye and the screen is 860mm, forming a golden viewing position. With electric leg drags, infinity audio, seat massage physiotherapy, etc., it brings users the ultimate audio and video entertainment experience.

The Galaxy L7 also has an independent sound zone for the main and co-pilot. The co-pilot can enjoy an immersive experience wearing a Bluetooth headset, and the main driver can enjoy the sound of the vehicle and headrest. Users can also play the sound of the co-pilot screen through the car stereo, and the main driver can play navigation, driving warning sounds, etc. through the headrest stereo without interfering with each other. However, when passengers are resting, the main driver can also listen to music/navigation through the headrest stereo to ensure that the whole car is silent to avoid disturbing passengers’ rest.

After being equipped with an oversized co-pilot display screen, Galaxy L7 innovatively designed an oversized overhead airbag for the co-pilot. Through its original folding and arrangement, the airbag first pops up in the direction of the windshield and quickly spreads down when it explodes, and shortens the traditional airbag’s 0.06-second ejection time to 0.04 seconds. At a speed of 120km/h, this 0.02 second can strive for a safe space of 0.5 meters for the user. That is, it can reduce the impact force between people and airbags, and can also form a protective net from top to bottom in front of the face to avoid secondary damage from glass fragments, items, etc.

It is worth mentioning that the Galaxy L7 is the first to use the 8155 chip + Galaxy N OS, of which the 8155 mass-produced flagship cockpit chip, as the computing core of the entire smart cockpit, has a 7nm process, 128G storage memory, and super computing power, bringing a fast and smooth interactive experience to the new Galaxy N OS. The system start-up speed, application opening speed, and Keyword Spotting speed are all the fastest in the same class. Keyword Spotting speed has accelerated from "second response" to only 0.5 seconds, the fastest in the world.

At the same time, the Galaxy L7 also has the strongest voice interaction capability at the same level. Through full-screen scanning, it supports multi-tone area recognition, and can also achieve continuous multi-round topic voice communication, as well as the powerful ability of continuous recognition of multiple instructions. It can be said that the whole scene can be seen.

Galaxy NOS is Geely’s full-stack self-developed distributed operating system, which perfectly conforms to the mobile phone operation mode that users have long been accustomed to, and the learning cost is lower. The official introduction of its applications and components is fully atomized, desktop cards and applications can be dragged and added independently, and everyone can freely create their own scene mode.

At the same time, it can achieve seamless multi-terminal flow, breaking down the barriers between hardware and hardware. Based on the latest version of the in-car Autonavi 610 navigation, the mobile phone/car is under the same navigation account. When the WeChat positioning on the mobile phone is opened through the mobile phone Autonavi, the car side can open the Autonavi navigation and automatically transfer the mobile phone navigation positioning to the car side. Some functions of the trial car of this real shot have not been fully released. We will also conduct more comprehensive tests of the Galaxy N OS in the future.

A new generation of Raytheon hybrid

The Galaxy L7 is equipped with a new generation of Raytheon hybrid, composed of a new generation of Raytheon hybrid engine and a new generation of Raytheon electric drive. Among them, the new generation of Raytheon hybrid engine B-Plus with the highest thermal efficiency of 44.26% in the world adopts Geely’s self-developed combustion control technology. The strong typhoon-type rolling flow movement in the cylinder, the mixed air flow speed in the cylinder reaches the subsonic level of 300m/s, helping the Galaxy L7 to achieve the same level of ultra-low power loss fuel consumption of 5.23L, and the CLTC comprehensive battery life of 1370 kilometers.

The new generation of Raytheon electric drive’s original "global three-speed" 3DHT not only has a compact structure and is conducive to layout, but also has a transmission efficiency of 97.5%. It also realizes an intelligent electric drive driven by P1 + P2 dual motors overclocking, which can assist in driving when deeply stepping on the accelerator, and can also achieve ejection start and release more kinetic energy reserves. The electric drive system’s extremely fast power response can generate a sense of thrust in 0.11s, and the maximum torque of the electric drive can be output in 0.26 seconds, allowing users to obtain a more extreme electric driving experience. Its 100-kilometer acceleration reaches 6.9s.

The new car is based on the e-CMA intelligent electro-hybrid architecture, inheriting the safety genes of Geely’s architecture. It adopts a super-high-strength cage body structure, an integrated thermoformed boron steel door ring, a 7-series aluminum alloy anti-collision beam, a clover collapse unloading structure, and a four-horizontal and four-vertical floor structure, among other patented designs, to build a safe fortress for travel in passive safety.

In terms of battery hardware safety, the new car battery pack uses 17 fixed connection points to firmly connect with the body. At the same time, the internal beam of the battery pack is also connected to the body floor beam through 4 high-strength bolts, and the shear resistance exceeds the industry’s common bolts by more than 58%. The bottom is equipped with a 1.2mm thick ultra-high front steel lower guard plate, with a tensile strength of 1200Mpa. At the same time, the front sub-frame has added a battery scratch-proof beam, which is 10mm lower than the battery pack. This is also a unique design in the industry, which can shield most of the damage to the battery pack when the chassis scrapes the bottom and supports the bottom. The new car battery has passed 42 rigorous experimental tests, including the series test of various working conditions, which is also easy to pass. Many of the test conditions are far higher than the national standard.

In terms of battery software safety, based on the powerful cloud computing power of Geely Star Smart Computing Center 8.10 billion billion times per second, the AI computing power support and cloud real-time security protection are given. Geely Galaxy’s "BMS3.0 Battery Doctor", through the "multi-dimensional fusion AI decision algorithm", can protect more than 200 electronic control items in real time, warn more than 50 types of faults, and can accurately predict protection for thermal runaway, battery life, battery cell status, etc., which can improve battery life by 20%. The SHIELD battery protection system realizes intelligent temperature control management of battery packs. In an environment of -30 degrees Celsius, through high-frequency pulse self-heating technology, the battery temperature can be quickly adjusted to about 10 degrees, ensuring that the battery life rate in low temperature climate is more than 90%.

In addition, whether it is charging piles at home or public charging piles in Geely’s charging map (including most mainstream brands), Galaxy L7 can accurately adjust the charging rate status of each battery cell, detect battery health in real time, ensure charging safety, prolong battery life, and provide timely warning of abnormal situations. In the event of a car accident, Galaxy L7 can cut off high voltage power within 0.05s after the collision to ensure the safety of the battery and the personnel on board.

Conclusion

The Galaxy L7 has indeed achieved a quite excellent level in the pursuit of comprehensive performance. The intelligent performance of the configuration is eye-catching, and it has a quite good spatial performance for home users. The power system installed during the same period has shown a bright feature that combines performance and economy in terms of parameters. We will also test it and bring you the first report in the future. Please look forward to it. Geely Galaxy’s first smart electric hybrid SUV "Galaxy L7" was launched globally on February 23 and opened for booking. Delivery will start in the first half of this year. We look forward to the official giving a surprising price.

The M5 standard version of Wenjie appeared, with a battery life of 1,455 kilometers and a price of 259,800 yuan.

Beijing News Shell Financial News (Reporter’s promise) On July 2nd, the M5 standard edition of AITO was officially unveiled at the User Experience Day of AITO. According to the on-site information, the endurance of the standard version of Wujie M5 has been upgraded to 1,455 kilometers, the standard version of rear drive is 259,800 yuan, and the standard version of Wujie M5 four-wheel drive is 279,800 yuan.

The model will be delivered in August. At the event site, Wang Yanmin, president of Huawei Terminal BG Intelligent Car Selection Business Department, said that with the blessing of intelligent extended-range technology, the M5 standard version of Wenjie does not need to be recharged for long-distance running, "it can drive all the way from Shanghai to Beijing".

In addition, all the models in the M5 Standard Edition are equipped with all-aluminum chassis, and with the help of Huawei DATS (Dynamic Adaptive Torque System) developed by Huawei, the driving, driving control and reliability are fully balanced.

The standard version of Wujie M5 is equipped with Huawei DriveONE pure electric drive platform. The peak power of the standard version of four-wheel drive reaches 365kW and the peak torque reaches 675 N m. With the front double wishbone and rear multi-link all-aluminum chassis as standard, the acceleration time of zero hundred kilometers is 4.4 seconds.

Editor Yue Caizhou proofreads Wu Xingfa.

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The color of ancient Chinese costumes was greatly appreciated. Which dynasty did you pick the most popular color?

No.3388 Cultural Industry Review

The blue word cultural industry reviews above the point pay attention to and star the standard.

China has great etiquette, so it is called summer; The beauty of the service seal is called China. From the color aesthetic orientation of traditional clothing in past dynasties, we can also see the cultural connotation of Chinese nation. The simplicity and naturalness of costumes in the Han dynasty were popular in Xuan, Chi, White and Green. In the Tang dynasty, the costumes were wrongly painted with gold, which was popular in crimson, crimson, bright yellow and turquoise; In Song Dynasty, the costumes were graceful and elegant, and were popular in light red, pearl white, light blue and light yellow. In the Yuan Dynasty, the costumes were golden and colorful, and they were popular in gold, Mongolian blue, grayish brown and green. Ming Dynasty costumes were luxurious and dignified, popular with scarlet, sapphire blue, grape purple and grass green; In the Qing Dynasty, the costumes were in full bloom, and apricot yellow, vermilion, azure and pale blue were popular. I can’t wait. Come and enjoy the popular colors of costumes in various dynasties with the writing! A big wave of beautiful costume pictures and color palette rushes to you!

author | Laishipu

read and edit | Min Lu (Assistant Research Fellow, Sanchuan Huiwen Tourism Research Institute)

edit | Chen Hongwei

source | Guochao Museum

The text is 6605 words | Estimated reading time is 17 minutes.

Chinese clothes are the epitome of Chinese civilization.

The color of traditional clothing is influenced by the theory of yin-yang and five elements, which can be divided into two parts.Blue, red, black, white and yellowFive colors. Different colors advocated by different dynasties reflect their dynasty characteristics.

The President selected the six most representative dynasties in ancient China:Han, Tang, Song, Yuan, Ming and Qing Dynasties, analyzed their popular clothing colors.

Let’s take a look at what these popular colors have with the introduction of the president ~

 

the Han Dynasty/the Han nationality/Chinese (language)/man

Features: simple and natural

Popular colors: Xuan, Red, White and Green.

In 206 BC, the Han Dynasty was founded.

Influenced by the Taoist technique of Huang Lao advocated in the early Han Dynasty and Confucianism advocated in the period of Emperor Wu of the Han Dynasty and later, the costumes of the Han Dynasty pursued the "essential beauty" of one integrated mass.

△ Eastern Han mural

The clothing colors in Han Dynasty are mainly monochrome and monochromatic, and they advocate dim colors, which are dignified, simple and natural.

Clothing in the Han Dynasty carries the idea of "rule by courtesy and orthodoxy", and the fabric dyeing follows the belief of Yin and Yang and the five elements, and it is noble in dark color and vulgar in light color.

Fashion colors in this period are dark black, red, green and white with low lightness.

 

△ Fuxi map in the tomb of Buqianqiu

 black

After the Han dynasty destroyed Qin, according to the theory of five elements, it took the meaning that Qin destroyed Zhou and water overcame fire, and advocated water virtue.

Shuide is dark black. In the early Han Dynasty, dark black was the noblest color.

△ Han dynasty straight clothes

In the Book of Changes, the source of China culture, dark black was elevated to the status of "Heaven" and was the mother of all colors.

In Taoist thought, this theory was further developed:

Thousands of worlds originated from "Tao", and "Tao" showed the color of black, so the colorful of thousands of worlds grew out of black.

△ Eastern Han mural

Since the period of Emperor Wu of the Han Dynasty, considering the five emperors in ancient times, the order of dynasty change was five elements, so the water virtue was changed to fire virtue, and the red color was taken as the top service.

Therefore, red became the most popular color in the Han Dynasty.

Therefore, the dresses of the Han Dynasty showed the characteristics of alternating red and mysterious.

Red also pinned the Han people’s desire for enlightenment and immortality.

The emperors of the Han Dynasty were keen to seek immortality, and imitating immortals with costumes was the most typical form of expression.

Immortal costumes pay equal attention to inflammation and red, and show awe-inspiring and inviolable momentum.

Nobles in the Han Dynasty like to wear red clothes, trying to imitate the charm of immortals.

△ Han dynasty skirt

white

In the Han Dynasty, white was a color that civilians could wear, and it was also the most commonly used color in clothing collocation.

 

It is natural, unpolished, with the most extreme simplicity and simplicity.

△ Han Xizai’s "Night Banquet Map" Part

White, as the most common popular color in the Han Dynasty, can best represent the ordinary people’s perception and understanding of life in the Han Dynasty.

It not only presents the beauty of the color of the costumes in the Han Dynasty, but also reveals the unique gentleness, gentleness, tolerance and atmosphere of the people in the Han Dynasty.

 

△ Han Dynasty winding clothes

 

green

Nearly half of the figures in Han Dynasty murals, both men and women, were dressed in green clothes, which reflected the popularity of green in Han Dynasty.

△ Han Dynasty murals

There is a poem in The Book of Songs, which says, "I am a green girl, and I am in my heart.". "Gnome" is the collar, and "green Gnome" refers to "the man in green clothes", which shows that the green shirt is the representative of a beautiful image in people’s minds.

△ Han Dynasty murals

In the Han Dynasty, the status of green is second only to red and mysterious, and it is also a color available to civilians, so it gradually became the popular color of clothing in the Han Dynasty.

In addition, green has a sense of peace visually, which accords with the charm of "purity" and "inaction" advocated in the study of Huang Lao advocated by Han Dynasty, and also accords with the beauty of "golden mean" in Confucianism.

△ Han Dynasty clothes

Tang Dynasty

 

Features: wrongly painted gold

Popular colors: crimson, crimson, bright yellow and turquoise.

Tang Dynasty’s clothing style is luxurious and elegant, with bright and bright colors, delicate and complicated patterns, and they like to use bright and contrasting colors to match, which embodies the characteristics of the inclusive and open era in Tang Dynasty.

In the Tang Dynasty, scarlet, bright yellow, crimson purple and turquoise were the most popular clothing colors.

△ Zhou Fang’s "Flower Lady’s Picture"

bright red

If the dynasty had color, Datang must be a delicate and charming color with red flowers and green willows.

Crimson is the most popular color in the Tang Dynasty, and it is often matched with the intermediate green, forming a huge contrast.

Women in this era pursue individuality, just as none of us want to bump shirts today.

△ Tang Zhangxuan’s "Mrs. Guo You Chuntu" part

Crimson color appears as the main color in the clothing of the Tang Dynasty, which is charming and dazzling. The warm color reflects the prosperity of the prosperous Tang Dynasty and is unforgettable at first sight.

△ Zhou Fang’s "Flower Lady’s Picture" Part

△ Zhou Fang’s "Flower Lady’s Picture" Part

dark reddish purple

Purple has always been the exclusive color of the nobility.

It is gorgeous, bright, pleasing to the eye, elegant and unconventional at the same time. It is loved by noble women in the Tang Dynasty and is often used in clothing collocation.

△ Princess Yongtai’s Tomb Mural

In the Tang Dynasty, crimson purple was often used to match with various colors.

In Zhou Fang’s "Picture of a Lady with Flowers", your daughter is dressed in a long red dress and covered with a purple-brown gauze blouse; It was draped in vermilion with a blue and white curly grass pattern. Purple shirt, red skirt and vermilion silk, balanced echo.

△ Zhou Fang’s "Flower Lady’s Picture" Part

bright yellow

In chromatography, yellow has the highest brightness, which is the color of the sun as the basis of life. It is bright and popular for a while.

In women’s clothing, it is the main color, with red, pink white, dark green, sapphire blue and other colors as harmony, which has the beauty of grandeur and blooming flowers.

△ Zhou Fang’s "Flower Lady’s Picture" Part

Pure and bright yellow is also respected by Buddhism, which is the sacred color of Buddhism. It is believed that it has the power to expel evil and is used by cassock.

In the period of Emperor Gaozong in the Tang Dynasty, it was considered that yellow was similar to the sun, and the sun was the symbol of the emperor. It was forbidden for officials and people to wear yellow, and ochre was designated as the special color for the emperor’s uniform.

dark green

Turquoise, as a popular color in clothing collocation in the Tang Dynasty, is often matched with scarlet, vermilion and white, and the colors contrast with each other and complement each other.

Turquoise, with its unique bright and fresh color expression, shows the vitality and vigor of the Tang Dynasty.

△ Tang Zhangxuan (biography) "Dao Lian Tu" (Song copy)

This three-color female figurine of Tang Dynasty, whose dress is mainly blue, green and yellow, is bright and natural in overall color.

△ Tang Sancai glazed pottery female figurines

the Song Dynasty; a surname

 

Features: graceful and elegant

Popular colors: light red, pearl white, light blue and light yellow.

The color characteristics of costumes in the Song Dynasty are simple and elegant, emphasizing the true colors and taking elegance as the priority.

The colors are on the high side, the purity is low, the application of contrast color is less, the colors are not as bright as before, and the color collocation is very harmonious.

Pale red, pearl white, light blue and light yellow are the favorite colors of Song people.

 light red

In Song Dynasty, the concept of "keeping justice and eliminating human desires" was emphasized, which suppressed human personality and restricted the color of clothing to the extreme.

In Song Dynasty, the colors of costumes were formal and conservative, and the colors were elegant and quiet. Even when using the most gorgeous red, they often used light red.

Ouyang Jiong once described a woman wearing a pomegranate skirt in He Ming Dynasty, which shows the graceful beauty: recalling the first meeting between flowers, the tea is half covered, and the makeup face is lightly turned. Pomegranate nepotism, so the delicate jade fingers are secretly twisted, double phoenix gold thread.

Song people don’t pursue the colorful flowers in the Tang Dynasty, but like to pursue changes in the same color system, and they prefer the elegance of white.

Besides pure white, I also like moon white, blue white, pearl white and pink white.

As Ge Zhaoguang said: "The Zhao and Song Dynasties are like the moonlight that can’t reach the full moon on the eighth day of the seventh day."

White is pure and moist, like moonlight and Song Dynasty.

Song people pay attention to "inner saints" in their costumes, and see their thoughts in details.

Song Renzong often wears a white round neck robe when he is in court. But it is not pure white, and it uses the color of silk thread to weave different patterns, making white rich in layers.

 

People often use "rubbing blue shirts and apricot skirts" to describe the temperament of Ya Song.

At the end of 19th century and the beginning of 20th century, Margaret Lide of Britain also called China "a country wearing blue robes", which reminded people of the sentence in the Book of Songs that "blue will be adopted in the end".

These four words are so peaceful and simple, but they are flying like a clean and blue dream.

Light blue was very popular in the Song Dynasty, and it was the closest to a modest gentleman like jade. The natural beauty of simplicity, gentleness and idleness was rich and radiant.

Praise simplicity and elegance, and follow the path of all things.

△ "Song Renzong’s Back Sitting"

Song Taizu and Zhao Kuangyin planned the mutiny in Chen Qiao, added a yellow robe and founded the Northern Song Dynasty.

"Yellow robe" or "yellow dress" is regarded as a symbol of the emperor’s power, and the history and service records of Song Dynasty stipulate that ochre yellow and light yellow are the emperor’s special clothing colors.

Light yellow is used in women’s clothing, which naturally brings a little pride and beauty of a good family.

In Li Qingzhao’s ci, girls who "stop swinging and adjust their delicate hands carelessly", "see guests coming in, socks slip away" and "lean back against the door and smell their plums" should wear such a light yellow dress.

 

Yuan Dynasty (1206-1368)

 

Features: Gold and color are in harmony.

Popular colors: gold, Mongolian blue, grayish brown and emerald green.

The Yuan Dynasty is the most special era in ancient Chinese costumes, because it was a political power established by nomadic people in the northern grassland.

In the use of color, the Yuan Dynasty advocated nature aesthetically, and the popular colors were mainly gold, Mongolian blue, grayish brown and emerald green.

In the 13th century, Genghis Khan led Mongolian fighters and swept Europe and Asia with thunderous momentum.

Mongolian plateau gathers jewelry from all directions, gathers talents from all directions, and collects Chinese and foreign technology. Mongolian costumes have begun a new era of luxury and richness.

"Old clothes are inlaid with precious stones and pierced with gold ornaments" (The History of World Conquerors: Feini Zhi), which is characterized by elegance and jewels.

△ Yuanzu hunting map

In the Yuan Dynasty, the dignitaries loved weaving brocade and advocated using gold in their clothes to show their wealth and status.

The north is cold and short of water, and the surrounding colors are monotonous. Only the golden color like the sun’s rays brings a glimmer of life to people living in the local area.

△ Nashi braided robe in the period of ilhan State

Blue, called "Huhe" in Mongolian, is the color representing the Mongolians.

In the minds of Mongolians, blue symbolizes eternity, faithfulness and loyalty.

Early Mongolians liked blue and white, which is why blue-and-white blue-and-white porcelain flourished in the Yuan Dynasty.

△ Yuan Yan weaves the mandala after the Emperor.

In the primitive beliefs of Mongolians, they worship nature and the blue sky.

They believe that blue represents natural scenery, mountains and rivers, and symbolizes prosperity, beauty and verve.

Dark blue is the main color of men’s Mongolian robes.

Light blue and light blue Mongolian robes will also become the first choice for women in summer.

The Yuan Dynasty was a political power established by nomadic people, and animal fur was often used in costumes, so the colors were mostly gray taupe.

In addition, due to the strict grade requirements for clothing colors in the Yuan Dynasty, people are forbidden to wear bright colors such as brown yellow, willow green, red and white flashing colors, cockscomb purple, gardenia red and carmine.

Forced to be helpless, the color of folk costumes can only develop to taupe. Common colors are silver brown, tea brown, lilac brown and so on.

Green is a very special color. It is neither cool nor warm, and it belongs to the middle color.

As a nomadic people, Mongolians live by water and grass, advocating nature and respecting grasslands. As the main color of grassland, green has a special position in the minds of Mongolian people.

Therefore, green often appears as the main color of Mongolian robes.

In a place with four distinct seasons, seeing green is like seeing a rich grassland, giving people a sense of security, calmness and comfort.

Green environment means plenty of food and water, so the love for green has always been in the blood of Mongolian people.

bright

 

Features: luxurious and dignified

Popular colors: red, sapphire blue, grape purple, grass green.

In the Ming Dynasty, the Confucian moral thought of "propriety, music, benevolence and righteousness" was advocated, and the five colors were combined with "benevolence, virtue and goodness" and set as positive colors, which was a symbol of inferiority and rank.

Red, sapphire blue, grape purple and grass green are the most popular colors in Ming Dynasty.

△ Drawing a police map in the Ming Dynasty (partially) originated from "A General History of Clothing in China"

Clothing in Ming Dynasty inherited from Zhou and Han Dynasties and inherited from Tang and Song Dynasties. It has distinctive Chinese cultural characteristics and is a model of Chinese clothing, which has a wide and far-reaching influence on the clothing and aesthetics of later generations and neighboring countries.

The overall characteristics of Ming dynasty costumes are: paying attention to color matching, luxurious and dignified style, and strong sense of color layering.

In the Ming dynasty, fire was the king of the world, and the color was still red. As a positive color, red had a lofty position.

Red is a warm, impulsive and powerful color with the lowest frequency, longer wavelength and good diffraction ability in the visible spectrum.

 

△ Ming Dynasty big red dark flower yarn embroidered Yunhe square robe

 

In the visual sense, red has a strong spatial penetration ability, which is more eye-catching, and its color is like blood, which will form a visual sense of approaching.

The widespread use of red in the royal family shows the supremacy of the feudal ruling class.

△ Ming Dynasty big red makeup yarn cloud shoulder sleeve flying fish pattern gown (partial)

 

In the Ming Dynasty, the colors of the royal and noble costumes were bright and luxurious, mainly with high saturation colors such as big red, gold, yellow and crow green.

 

Since the Ming Dynasty, big red, as a symbol of life, enthusiasm, nobility and celebration, also known as China Red, has really penetrated into the context of Chinese culture.

△ Ming Xie Huan "Apricot Garden Elegant Collection"

In the middle and late Ming Dynasty, the power of the ruling class was constantly weakened, people’s thoughts were gradually liberated, dyeing technology and dyes were developed unprecedentedly, and the colors of clothing were more gorgeous and bright, and there was a constant violation of color.

People began to use high-purity bright colors, among which blue with high saturation was particularly popular.

 

△ Ming Dynasty blue peony, miscellaneous treasure pattern, dark flower, silk weaving, gold makeup, Kirin filling women’s coat

In Chou Ying’s painting "The Map of Southern Metropolis" in the Ming Dynasty, scarlet and sapphire blue are the most conspicuous, and they set off each other and complement each other.

This painting also embodies the characteristics of colorful costumes in the middle and late Ming Dynasty.

 

△ Ming Chou Ying’s "Nandu Fanhui Volume"

 

The colors of folk costumes are mainly plain and elegant, and the colors commonly used by civilians are purple, green and light pink.

Purple is a combination of the coldest and warmest colors, which has a neutralization effect in clothing collocation. Therefore, purple is often the main color in civilian clothing, among which grape purple is the most popular.

In "A Beautiful Picture of a Thousand Years", the depiction of women’s clothing boldly adopts grape purple, lake green and other colors.

The strong color contrast highlights the strong "female consciousness" and the desire to break through the tradition and express themselves.

 

△ Ming Anonymous "The Beautiful Picture of a Thousand Years"

Green is a common color for civilians in all dynasties. With the development of spinning and dyeing technology, the saturation and brightness of green in Ming Dynasty costumes are higher, which makes them look fresh and bright.

In the Ming dynasty, dignitaries also liked to use cyan, green, red, black and gold as the main auxiliary colors.

Green with high saturation, as a popular color in Ming Dynasty, can best reflect the working people’s love for life and tenacious vitality in this period.

△ "Entering the Map" (partially) originated from "General History of China Clothing"

clean

Features: A hundred flowers blossom.

Popular colors: apricot yellow, vermilion, azure and pale blue.

 

The Qing Dynasty is an era with the greatest change in the history of Chinese clothing.

On the basis of retaining the traditional elements of the national costume, the costumes of the Qing Dynasty absorbed the elements of the Han nationality, forming a unique costume culture in the Qing Dynasty.

The popular colors of clothing in Qing Dynasty are apricot yellow, vermilion, azure and cyan.

In Chinese traditional culture, yellow, as a neutral color, is the first in Baise.

In Qing Dynasty, yellow was regarded as the sunshine color, which was bright and warm, and it was also considered as the golden color, which was both rare and precious.

△ During the Kangxi period, bright yellow satin embroidered colorful clouds, golden dragon mink inlaid with dragon skin and men’s robes.

Except bright yellow for emperors and queens, other yellows were widely used in Qing dynasty costumes.

 

△ During the Jiaqing period, a bright yellow gauze embroidered with colorful clouds, bats, gold dragons and women’s robes were placed in the court.

Different shades of yellow, or dignified, or delicate, or expensive, or lovely, are the warmest and brightest colors in Qing Dynasty costumes.

 

In the Qing dynasty, from the royal family to the common people, they all liked red and blue clothes the most.

True red is exclusive to emperors and queens, and other red colors are commonly used in clothing.

 

△ During the Jiaqing period, the red satin embroidered colorful clouds and the golden dragon pattern dyed the silver mouse leather-trimmed man with a robe.

In the costume culture of the Qing Dynasty, red represents happiness, solemnity, auspiciousness and happiness, and is also a symbol of identity.

△ During the Kangxi period, the red brocade was connected with the stone blue inch python, and the satin was clipped to the skirt.

Girls in the Qing Dynasty are happy in red.

Young women’s clothes are mostly pink and silvery red, while older women are happy with vermilion and scarlet.

 

 

Cyan is one of the important colors of Qing Dynasty costumes, which is between blue and green, and has the characteristics of crispness and cleverness.

The common color of civilian women’s clothing is cyan, and the color tone varies with age and occasion.

Blue symbolizes solemnity, strength and hope.

Traditional cyan has a unique artistic charm, which includes pink cyan, holly, bean cyan, azure and so on. These colors are widely used in Qing Dynasty costumes.

 

In the world of color aesthetics in Qing dynasty, blue is especially simple and elegant.

Among the blues, the lighter blue is called stealing basket, the heavier blue is called prison, the heavier blue is cyan, and the deepest blue is ultramarine.

△ During the Qianlong period, sapphire blue satin embroidered colorful clouds and golden dragon pattern men wore robes.

"Stealing baskets" comes from the color of the autumn sky.

This color, neither strong nor light, is like a girl’s grief, and it is a common color in young women’s clothing.

China was called Huaxia in ancient times, and it was named after its gorgeous clothes.

Looking at the leopard in the tube, we can also see the clothing aesthetics of each dynasty from it.

Natural, gorgeous, elegant, and elegant ….. all have their own charms.

Clothing culture is like a rhythmic life. By understanding its beating, we can grasp the pulse of the times.

The costume color of the Chinese nation, like Chinese and Chinese characters, has always flowed in the blood of the Chinese people and become a part of the cultural genes of the Chinese nation.

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[3] Li Miaoling. China costumes of the past dynasties [M]. Taipei: Bailing Press, 1984.

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