Introduction: The resplendent stage of the Tokyo Film Festival and the glorious moment of Chinese film
Since its establishment in 1985, the Tokyo International Film Festival has taken a place in the global film scene with its unique Asian perspective, inclusive and diverse film selection concept, and unremitting support for emerging filmmakers. The 37th Tokyo Film Festival will be held from October 28 to November 6, 2024. The festival not only continues its usual international vision and artistic pursuit, but also stands out for a star-studded main competition film list. The list of five Chinese-language films is impressively listed, bringing together Jackson Yee, Liu Haoran, Zhao Liying and other traffic superstars, as well as outstanding directors such as Zhao Deyin, Yang Linna and Weng Ziguang. This feast of oriental light and shadow will undoubtedly present an artistic carnival of Chinese movies to global audiences.
Overview of the main competition unit: Five masterpieces in Chinese, showcasing the diverse charm and cultural depth of film "My Friend Andre" – Dong Zijian’s directorial debut, Liu Haoran and Dong Zijian draw friendship pictures together
This Zhejiang-produced film marks the gorgeous departure of actor Dong Zijian’s transformation into a director. The film is adapted from the novel of the same name by Shuang Xuetao. During the funeral of his hometown in Northeast China, Li Mo, played by Liu Haoran, reunites with his old friend Andre (played by Dong Zijian). The two are each carrying their own hearts and embarking on a journey full of stories. With delicate emotional depictions and solid narrative skills, the film reveals the grinding and persistence of friendship through the years. It is expected to become a bright pearl at the film festival.
"Little Me" – led by Jackson Yee, on the resilience of life and the power of dreams
Directed by Yang Lina, "Little Me", which gathers Jackson Yee, Lin Xiaojie, Jiang Qinqin, Zhou Yutong and other powerful actors, focuses on the protagonist Liu Chun (Jackson Yee), who has cerebral palsy. He bravely breaks the shackles of his body and mind, not only realizing the dream stage for his grandmother, but also finding the coordinates of his own life in the face of adversity. The film explores the value, dignity and love of life with real and moving brushstrokes, showing the profound concern and humanistic spirit of Chinese films on social themes.
"Qiao Yan’s Heart" – Zhao Liying and Xin Zhilei Join Forces to Interpret the Struggle and Awakening of Women’s Destiny
Adapted from Zhang Yueran’s novel "Big Qiao Xiao Qiao", "Qiao Yan’s Heart" is directed by Zhao Deyin and performed by Zhao Liying, Xin Zhilei, Huang Jue and Dong Gemstone. The film revolves around the ups and downs of the two sisters’ fates in the torrent of the times, and delicately depicts their journey of breaking through shackles and pursuing freedom. It has been scheduled to be released on October 26 in China, which has ignited audience expectations in advance. The appearance at the festival will undoubtedly further enhance its international influence.
"Daughter’s Daughter" – Zhang Aijia and Lin Jiaxin join hands to explore the entanglement of family and individual growth
Director Huang Xi’s "Daughter’s Daughter" brings together Zhang Aijia, Lin Jiaxin, Liu Yier, Zhao Wenxuan and other acting schools. With complex character relationships and emotional interweaving, it reveals the dilemma of intergenerational communication in modern families and the possibility of reconciliation. The film deeply explores the multiple aspects of family ethics, showing the keen insight and humanistic care of Chinese films on family themes.
"Dad" – Weng Ziguang joins forces with Liu Qingyun to analyze the complexity and depth of the father-son relationship
Based on the true murder case, "Dad" is directed by Weng Ziguang and starred by Liu Qingyun. The film confronts the intricate psychological entanglement between a father and son, and reveals the contradictions and redemption of human nature through sharp social issues. With his usual sharp perspective and profound humanistic heritage, Weng Ziguang has brought profound and thought-provoking Chinese masterpieces to the film festival.
Star actors appear: flow effect empowers Chinese-language films to go global
Jackson Yee, Liu Haoran, Zhao Liying and other popular stars have undoubtedly added a dazzling star to these five Chinese films. In the current film and television market environment, the star effect has become an important engine driving audience attention and box office growth. With their extensive fan base and strong appeal, they not only bring extremely high topic trendiness to the film, but also more effectively promote the influence of Chinese films on the international stage.
The lineup of the jury: Tony Leung in charge, authority and fairness shape the quality of the film festival
The jury of the main competition section of the festival is chaired by Tony Leung, and the director Qifeng To is also included. As an iconic figure in the Chinese film industry, Leung’s outstanding performing arts and profound industry influence have injected unparalleled professionalism and fairness into the judging work. To Qifeng added multiple perspectives to the jury with his unique film language and rich creative experience. Such a luxurious lineup will undoubtedly ensure the gold content and industry recognition of this festival’s awards.
The future impact of film festivals: Chinese-language films set sail overseas, opening a new chapter
The strong appearance of Chinese films at the Tokyo Film Festival will undoubtedly attract worldwide attention in the short term, further enhancing the recognition and competitiveness of Chinese films in the international market. In the long run, the market prospects of these entries are optimistic, and it is expected to achieve a win-win situation in word-of-mouth and box office with the help of global distribution and awards. At the same time, the success of the festival will also inspire more Chinese filmmakers to invest in high-quality creations, and promote the development of the Chinese film industry in a more prosperous and diverse direction.
Conclusion: Join the grand film event and witness the glorious blooming of Chinese films
The 37th Tokyo Film Festival is not only a collective highlight moment for Chinese films, but also an excellent platform for film fans around the world to share the artistic charm of film. Let us jointly look forward to these Chinese masterpieces that carry the temperature of Chinese stories and emotions, blooming on the bright stage of Tokyo, leading Chinese films to new glory. Follow the festival dynamics, taste the unique charm of Chinese films, and go on this journey of light and shadow across borders.
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